I had an interesting discussion the other day with an acquaintance who runs a video production house in Orlando. We were discussing the sort of gear I had verses the gear he had.
One of the most interesting points he made was that he deploys larger cameras for no other reason than to keep clients happy when his crew turns up on a shoot. The perception seems to be that the more equipment you have, and the bulkier it is, the more of a real professional you are.
This got me thinking about whether the appearance of a small camera may make a videographer look like less of a professional and more of a hobbyist.
I know from my years of experience covering news events, that TV shooters tend to look at videographers with small camcorders as a pesky waste of riser space - sort of irritating amateurs getting in the way of the shot they have expertly framed using their gigantic betacams. Indeed, many of the small cameras I have seen in use at events are the same models I have seen tourists using at Disney World. This may give the impression that they are unable to take broadcast quality shots.
But the small camera is absolutely critical to solo TV reporters. One of the local news channels in my area sends its reporters out on their own with very big, old-school cameras. This is just daft. By the time you come to shoot your standup, you're hot and sweaty from carrying the massive thing. How are you supposed to run around gathering a story while lugging such a weight around? Small, lightweight cameras are a critical part of being able to work as a one-man-band successfully.
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4 comments:
Just the other day I told a newspaper friend of mine who shoots video with a mini DV cam that she should get some gear. I know that when I worked in TV, as a 1-man-band, 2-person-crew or huge multi-cam setup - if I was wearing my station gear, I got a lot more respect and access, even sans camera gear. So, I almost always kept a windbreaker, cap, ID badge, etc. in my truck so that I would be less likely to get stopped have another TV crew take my spot. If your station, paper, website does not have gear - upload your logo to Cafepress and make some. They have a lot of reasonable items.
This is a very good point. Station I.D. is a really useful thing. If I'm shooting for The Newshour, I always wear a PBS badge or Newshour cap. It really helps. Working for foreign media is somewhat more difficult, but the idea of making your own gear is a very good one.
I moved from a local TV station here in Winnipeg to the main newspaper. Exchanged a big camera for a little one and have never heard the end of it. But they're all pretty impressed when we're streaming an event live to our website with a little DV camera, a firewire cable and a laptop!
I totally agree - when I first started shooting (and I choose to take the smallest of cameras Cannon HV20) I did feel a bit embarrassed and thought I would switch up to a bigger camera - but it just doesn't make any sense to. I shoot completely for online sites and as long as I don't need to shoot in low light the small DV20 is absolutely brilliant. Particularly as I am female and only 5ft4 - the weight really makes a difference. And as someone else has said - as soon as you are able to show the finished film people are amazed that it was shot with such a tiny camera.
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